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focuses on Flannery O'Connor related information evaluated for its reliability and
usefulness: links to biographical information about Flannery O'Connor, critical
analysis of her work, and general praise of her abilities as a writer and a human
being. If you're searching for essays and other scholarship on Flannery O'Connor
published on the Web, we try to catch everything that we think is truly helpful.
Be aware that most critical analysis of O'Connor is in hard-copy.
Image Quarterly has acquired rights to reprint O'Connor's personal college journal written when she was eighteen years old. This is a rare look at the young author's intellect, humor, faith, and drive to be a successful writer--"I have so much to do that it scares me." The journal is published by an arrangement with the O'Connor estate, and the issue will include previously unpublished photos of O'Connor. The journal and photos are exclusive to the November print issue of Image Quarterly, so if you want to see this material you can either subscribe for one year at $39.95, or pre-order issue 94 for $12. (I am not affiliated with Image, although I do enjoy reading it and recommend a subscription to readers interested in the confluence of literature, art, and faith.) If you would like to know more about what's in the journal, The Atlantic offers a peek at the content.
considering "vision" there are numerous interpretations that go beyond
mere eyesight, and Cassandra Nelson discusses how O'Connor's Catholic
perspective may have influenced her concept of vision. Take a look at "Seeing Is Believing: What Flannery O'Connor Meant by 'Vision'"
to get Nelson's take on how the meaning of vision has evolved over
time, how that connects biological vs. mechanical means of sight, and
how this all connects with O'Connor's work.
Yu contacted me about a new film project inspired by O'Connor's story
"A Good Man is Hard to Find" and filled me in on the film's premise,
which I won't try to lay out in this small space because you can hear it
from Michael himself.
I'm excited about the crew and cast involved in the project and would
love to see it take off. One of Michael's goals is to promote O'Connor's
work in mainstream culture.
Uncommon Grace: The Life of Flannery O'Connor
If you're looking for a full-length documentary about O'Connor, this is
it. Literally, it's the only one. I'm amazed it's taken so long for
O'Connor to get a documentary of her own, but given the recent increased
interest in her work, I believe this is the perfect time for one, and
Bridget Kurt has done a commendable job of distilling the essence of
O'Connor's life into this perfect introduction to O'Connor that explains
how her work was influenced by the places she lived, the people around
her, her deep Catholic faith, and her illness. The video brings together
the tangible with intangible, tracing the thread of relatives, homes,
schools, cultural shifts, personal objects, hospitals, work habits,
friends and more as she weaves them through her fiction. Of course, it
also discusses her unique perspective as a Catholic in the predominantly
Protestant state of Georgia, and reveals how her work reflects the
tumultuous changes happening during her life. Viewers will be treated to
around 100 previously unpublished photos, as well as interviews with
experts on O'Connor's work including Bruce Gentry, professor at Georgia
College and State University; Brad Gooch, author of the most recent
O'Connor biography; and William Sessions, O'Connor's authorized
biographer and personal friend.
Daniel Moran recently released Creating Flannery O'Connor,
a new book that considers how O'Connor attained the status of the
"great American Catholic writer" and how she herself felt about it,
examining O'Connor's evolving career and Robert Giroux's role in shaping
her literary identity by examining the development of her literary
reputation from the perspectives of critics, publishers, agents, and
contemporary readers. Moran's sources include the Farrar, Straus &
Giroux archives at the New York Public Library, as well as O'Connor's
private correspondence. He also discusses current reader opinions--as
found on sites like Goodreads--and the way her work is debated and
discussed very much as it was when Wise Blood was first published in
1952. Find out more about the book and Daniel Moran at the Creating Flannery O'Connor website.
A group of media students at the Western Kentucky University are working on an episodic documentary called Flannery's Porch.
Their goal is to tell the story of O'Connor's legacy in light of the
social justice issues prevalent today--sustainability, diversity,
poverty, LGBT rights, and animal rights. This means her story can be
used as a platform for telling news. The documentary begins with
O'Connor's farm and the two women working to save it, Elizabeth and
April, both lifelong Flannery fans doing their own work to preserve her
The Paris Review has a new arts and culture article by David Griffith on "The Displaced Person": Reading O'Connor in the Age of Islamophobia that looks at O'Connor's story in light of the current cultural bias toward muslim refugees.
William Sessions, who
recently finished the authorized biography of Flannery O'Connor after
many years of deep research through her personal papers, is the main
speaker in "Between the House and the Chicken Yard: The Life and Legacy of Flannery O'Connor"
a presentation honoring the 50th anniversary of O'Connor's death.
Sessions talks with Angela Alaimo O'Donnell, discussing O'Connor's life
and work, as well as a short Q&A with the audience where Dr.
Sessions reminisces about a long-gone Georgia of the mid-twentieth
century, and where O'Connor fitted into that cultural landscape.
Given the complexity
of O'Connor's fiction, the fact that her stories refuse simplification,
and their demand for absolute attention on the part of the reader, how
do we work with O'Connor in the classroom context? How do we bring an
audience of impatient college readers whose only experience with
O'Connor is probably reading "A Good Man is Hard to Find" partway
through their high school American Literature course, to meet her on her
terms? Nick Ripatrazone offers up his ideas in "Mystery and Manners: On Teaching Flannery O'Connor".
A request from a visitor looking for audio of O'Connor reading her own work led me to The Morning Oil,
where I found WMA files of O'Connor reading "A Good Man is Hard to
Find" and one of her lectures on aspects of the grotesque in Southern
PBS Religion and
Ethics Weekly contains a fantastic Flannery
O'Connor episode that includes interviews with Ralph Wood, Brad Gooch, Bruce
Gentry and people influenced by O'Connor's work.
Who was Flannery O'Connor?
Essays: Criticism of O'Connor's work on the Internet. Many of these are "scholarly,"
but there are several non-academic articles here as well, so be careful if you use
them for a paper.
: Works by and about O'Connor available online or at your local bookstore.
(If you want
to see everything Amazon offers on O'Connor, you can use this connection that searches
anything tagged Flannery O'Connor.)
Sites: The requisite "links" page.
Join the Flannery O'Connor community on Google+ to discuss O'Connor, her works, and her influences on arts and literature.
Interested in film adaptations of O'Connor's fiction? Here are several
productions that have translated O'Connor's stories to the screen.
Thanks to the efforts
of the Flannery O'Connor-Adalusia
Foundation anyone can now visit Andalusia, the farm where O'Connor spent much
of her adult life and wrote most of her stories.
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